Jim Hodges

Proof #1 for II from days suite

Minneapolis Institute of Art · 2021

Intaglio on paper · Prints

Proof #4 for II from days suite

Minneapolis Institute of Art · 2021

Intaglio on paper · Prints

Proof #2 for II from days suite

Minneapolis Institute of Art · 2021

Intaglio on paper · Prints

Proof #3 for II from days suite

Minneapolis Institute of Art · 2021

Intaglio on paper · Prints

Luan blue proof on newsprint

Minneapolis Institute of Art · 21st century

Prints

Proof #5 for II from days suite

Minneapolis Institute of Art · 2021

Intaglio on paper · Prints

days: II

Minneapolis Institute of Art · 2021

Drypoint, burnishing, and cutting of plate · Prints

days: III

Minneapolis Institute of Art · 2021

Color spit-bite aquatint (printed à la poupée), drypoint, and burnishing, with natural…

days: IV

Minneapolis Institute of Art · 2021

Spit-bite aquatint in blue ink, drypoint, with natural chine collé on pale…

days: I

Minneapolis Institute of Art · 2021

Spit-bite aquatint, drypoint, and burnishing, with chine collé on gray paper ·…

Changing Things

Dallas Museum of Art · 1997

Silk, plastic, and wire · Silk (Textile)

and still this

Dallas Museum of Art · 2005–2008

23.5K and 24K gold with Beva adhesive on gessoed linen

Untitled by Jim Hodges

RISD Museum

If there had been a pool it would have reflected us

RISD Museum

A Diary of Flowers (In Love)

Walker Art Center · 1996

ink on paper napkins, pins · Drawing

Where the sky fills in

Museum of Modern Art · 2002

Chromogenic print · Drawing

Happy III

Museum of Modern Art · 2001

Colored pencil on two pieces of paper · Drawing

Really from 1989

Museum of Modern Art · 2000

Double-sided digital print from a portfolio of four chromogenic color prints, four…

A diary of flowers (realness)

Museum of Modern Art · 1993

Ink and pencil on forty paper napkins · Drawing