
1991
offset print on paper (endless supply)
Using simple methods and ephemeral forms, Felix Gonzalez-Torres explored the complex social and political issues surrounding community, identity, loss, memory, and the human condition. Gonzalez-Torres was an openly gay artist during the height of the AIDS epidemic in the late 1980s and early 1990s, but his practice resonates beyond this context. With an approach that is rooted in both Minimalist and Conceptual schools of thought, his works are both emotional and political, and they often incorporate everyday materials such as candy, strings of lights, stacks of paper, jigsaw puzzles, mirrors, beads, and billboards. Untitled (Double
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