
1989
Screenprint on aluminum
Institute of Contemporary Art/Boston
Cady Noland’s (Born 1956 in Washington, DC) work engages the iconography of what could be described as the American underbelly. She draws inspiration from mass-media images, particularly advertisements, pairing them with a sculptural practice that repurposes the detritus of a uniquely American commercial landscape. Noland’s stark and provocative body of work questions America’s self-image as a place of unity, justice, and democratic freedom. Her work is often compared with that of artists such as Robert Gober, David Hammonds, Mike Kelley, and Richard Prince, all of whom are interested in the American psyche and its fascination with
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