
1919
Color pochoir (gouache) illustrations, line block prints of ink drawings, and letterpress, bound volume
La Fin du monde was originally developed as a screenplay by the modernist poet and author Blaise Cendrars, but it was published as a novel when funding for the film project fell through. Conceived as a satire, Cendrars’s story features God in the guise of an American industrialist, who out of sheer boredom orchestrates an apocalyptic war on earth for the amusement of the god Mars. Fernand Léger, collaborating with his friend Cendrars, contributed a series of witty Cubist-inspired illustrations and other designs for the project. His illustrations were hand colored in gouache with brush and stencils. Léger also designed the book’s exp
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