
1967
Varnish, liquitex, Sculp-metal, and cord on Masonite
National Museum of Women in the Arts
Short, knotted cords, arranged in a symmetrical 9-by-9 grid emerge from a square panel and hang down. Thick, matte-gray paint coats the entire piece, adding rough texture to the panel and stiffening the cords into positions that cast irregular shadows across the work’s surface.
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