Overlapping Forms

Brooklyn Bridge from Brooklyn (The Sun)

John Marin · 1915

Museum of Modern Art · Etching

Paysage a Vallauris

Pablo Picasso · 1953

Minneapolis Institute of Art · Lithograph

Plate (facing page 196) from Les Chants de Maldoror (The Songs of Maldoror)

Salvador Dalí · 1934

Museum of Modern Art · One from an illustrated book with forty-two…

Repetition Nineteen I

Eva Hesse · 1967–68

Museum of Modern Art · Gouache, watercolor, and pencil on paper

Line in Front of the Butcher Shop

Édouard Manet · 1870

Minneapolis Institute of Art · Etching

Untitled (abstraction)

Camille Bryen · 1963

Seattle Art Museum · Ink on paper

Tie clasp

Designer: Alexander Calder · c. 1960

Minneapolis Institute of Art · Brass

Plate (facing page 64) from Les Chants de Maldoror (The Songs of Maldoror)

Salvador Dalí · 1934

Museum of Modern Art · One from an illustrated book with forty-two…

Plate (folio 21) from Igra v adu (A Game in Hell)

Kazimir Malevich · 1913–14, published 1914

Museum of Modern Art · Lithograph from an illustrated book with 28…

Plate VI: First to third printings combined.

Gaulard · 1883

Princeton Digital PUL · 1 item ; sheet 41 x 28.8 cm.

Untitled

László Moholy-Nagy · 1937–44

Minneapolis Institute of Art · Gelatin silver print

Navy Helicopter

Feininger, Andreas · 1949

Victoria and Albert Museum · Photograph

Stockholm (solarization)

Andreas Feininger · 1937

J. Paul Getty Museum · Solarized gelatin silver print

Study for The Laugh

Umberto Boccioni · 1910–11

Museum of Modern Art · Pencil on paper

Plate (facing page 46) from Les Chants de Maldoror (The Songs of Maldoror)

Salvador Dalí · 1934

Museum of Modern Art · One from an illustrated book with forty-two…

Scarabisso

Artist: Mark di Suvero · 1982

Yale University Art Gallery · 2-color lithograph

Study for Elasticity

Umberto Boccioni · 1912

Museum of Modern Art · Pencil and gouache on paper

Composition study for Gods of the Modern World

José Clemente Orozco · (c. 1932-34)

Museum of Modern Art · Crayon on paper

In the Barracks Yard (Auf dem Kasernenhof) (plate, folio 30 verso) from the periodical Der Bildermann, vol. 1, no. 15 (Nov 1916)

Ernst Ludwig Kirchner · 1916

Museum of Modern Art · Lithograph

Zonder titel

Franz Marc · 1921

Rijksmuseum · lithografie

Repetition Nineteen, First of 3 versions

Eva Hesse · Summer 1967

Museum of Modern Art · Pen and ink on transparentized paper

Untitled

Sonia Delaunay · 1914

Minneapolis Institute of Art · Pastel on paper

Fotogram II

László Moholy-Nagy · 1923

Minneapolis Institute of Art · Gelatin silver print (printed 1929)

Study for The City Rises

Umberto Boccioni · 1910

Museum of Modern Art · Conté crayon, charcoal, and chalk on paper

Untitled from The Bride Stripped Bare by Her Bachelors, Even (The Green Box) (La mariée mise à nu par ses célibataires, même [Boîte verte])

Marcel Duchamp · 1934

Museum of Modern Art · Collotype and lithograph reproduction from a box…

Carnival in the Snow

Paul Klee · 1923

Cleveland Museum of Art · watercolor

Barcelona, XXIII

Joan Miró · 1944

Museum of Modern Art · Lithograph

La Prose du Transsibérien et de la Petite Jehanne de France

Sonia Delaunay · 1913

Minneapolis Institute of Art · Pochoir (stencils) in gouache and watercolor, with…

Muscular Dynamism

Umberto Boccioni · 1913

Museum of Modern Art · Pastel and charcoal on paper

Plate from Pro dva kvadrata. Suprematicheskii skaz v 6-ti postroikakh (About Two Squares: A Suprematist Tale of Two Squares in Six Constructions)

El Lissitzky · 1922

Museum of Modern Art · One from an illustrated book with seven…

Repetition Nineteen, Second of 3 versions

Eva Hesse · 1967

Museum of Modern Art · Pen and ink on transparentized paper

States of Mind III: Those Who Stay

Umberto Boccioni · 1911

Museum of Modern Art · Oil on canvas

States of Mind: Those Who Go

Umberto Boccioni · 1911

Museum of Modern Art · Charcoal and conté crayon on paper

States of Mind: Those Who Stay

Umberto Boccioni · 1911

Museum of Modern Art · Charcoal and conté crayon on paper

Geometric Abstraction

Otto Freundlich · 1938

Seattle Art Museum · Ink on paper board

The Ballet Dancer - Cuadro

Tobey, Mark · 1967

Helga de Alvear Museum of Contemporary Art · Papel

Hardy Plants

Paul Klee · 1934

Minneapolis Institute of Art · Oil on pulpboard

Study for Composition VIII (The Cow)

Theo van Doesburg · c. 1917

Museum of Modern Art · Pencil on paper

Plate (facing page 132) from Les Chants de Maldoror (The Songs of Maldoror)

Salvador Dalí · 1934

Museum of Modern Art · One from an illustrated book with forty-two…

No title

Eva Hesse · 1964

Museum of Modern Art · Gouache, ink, felt-tip pen, crayon, pencil, and…

Elephant (Elefant)

Franz Marc · 1913

Museum of Modern Art · Pencil on paper

Untitled White V

Artist: Alexander Liberman · 1978

Yale University Art Gallery · Acrylic and charcoal on paper

States of Mind II: Those Who Go

Umberto Boccioni · 1911

Museum of Modern Art · Oil on canvas

B/W XIII

Al Held · 1968

Seattle Art Museum · Acrylic on canvas

Advocate of the Personal

Eva Hesse · 1963

Museum of Modern Art · Gouache and ink on paper

Abstract Forms in Pastel Colors

Georgia O'Keeffe · Værkdatering: Ca. 1920

Statens Museum for Kunst · Lærred

Untitled from The Bride Stripped Bare by Her Bachelors, Even (The Green Box) (La mariée mise à nu par ses célibataires, même [Boîte verte])

Marcel Duchamp · 1934

Museum of Modern Art · Collotype reproduction from a box with ninety-four…

Apocalypse 9

Keith Haring · 1988

Minneapolis Institute of Art · Color screenprint

Barcelona, XIII

Joan Miró · 1944

Museum of Modern Art · Lithograph

Cow and Violin from On New Systems in Art (O Novykh Sistemakh Visk Usstve)

Kazimir Malevich · 1911–19

Museum of Modern Art · Lithograph

Study for The Laugh

Umberto Boccioni · 1910

Museum of Modern Art · Pencil on paper

Woman on a Balcony

Byron Browne · 1943

Minneapolis Institute of Art · Gouache

Squibb Gallery Exhibition of the American Abstract

Artist: Byron Browne · 1937

Yale University Art Gallery · Offset lithograph

Untitled from American Abstract Artists

Byron Browne · 1937

Museum of Modern Art · One from a portfolio of thirty-one lithographs

Maximal Gyre

Arnaldo Pomodoro · 1968

Museum of Modern Art · Lithograph with foil collage additions

Maximal Gyre II

Arnaldo Pomodoro · 1968

Museum of Modern Art · Lithograph

UFO Mk II

English, Michael · 1967

Victoria and Albert Museum · paper, printing ink, screen printing

Apocalypse 4

Keith Haring · 1988

Minneapolis Institute of Art · Color screenprint

Evening Patrol (Patrouillenritt am Abend)

Ernst Ludwig Kirchner · (1915)

Museum of Modern Art · Lithograph

Apocalypse 7

Keith Haring · 1988

Minneapolis Institute of Art · Color screenprint

Two Adjacent Pivotal Motions, One Continuous, One Started and Ended in the Paper Surface

Blythe Bohnen · c. 1977

Minneapolis Institute of Art · Carbon block on paper and gelatin silver…

Double Motion Between Five Points with Graphite Bar Held Evenly on Paper

Blythe Bohnen · 1976

Minneapolis Institute of Art · Graphite on paper

7/7/01

Carroll Dunham · 2001

Museum of Modern Art · Graphite on paper

8/11/01

Carroll Dunham · 2001

Museum of Modern Art · Graphite on paper

8/12/01

Carroll Dunham · 2001

Museum of Modern Art · Graphite on paper

8/15/01

Carroll Dunham · 2001

Museum of Modern Art · Graphite on paper

Age of Rectangles

Carroll Dunham · 1983-85

Museum of Modern Art · Casein, dry pigment, vinyl paint, casein emulsion,…

[Schafe; Sheep]

Valck, Gerard · 1651-1726 (Herstellung)

Herzog Anton Ulrich Museum · Druckgrafik

Untitled from Flowers

Andy Warhol · 1970

Museum of Modern Art · One from a portfolio of ten screenprints

Cover from The Poems

Joan Mitchell · 1960

Museum of Modern Art · One from an illustrated book with five…

Untitled from Forms Derived From A Cube

Sol LeWitt · 1982

Museum of Modern Art · One from a portfolio of twenty-four etching…

Flowers

Andy Warhol · 1970

Minneapolis Institute of Art · Color screenprint

Exhibition Announcement, Betty Parsons Gallery, Nov. 26-Dec. 15, 1951

Jackson Pollock · 1951, signed 1954

Museum of Modern Art · Screenprint

Sarsarparilla root under the microscope.

Odra Noel

Wellcome Collection · Digital Images

Aus der Tierlegende

Franz Marc · 1914

Victoria and Albert Museum · paper, printer's ink, woodcut

Genesis II

Franz Marc · 1914

Cleveland Museum of Art · color woodcut

The history of Creation I

Franz Marc · 1914

Victoria and Albert Museum · woodcut

Sleeping Shepherdess

Marc, Franz · 1912

Victoria and Albert Museum · paper, ink, wood cutting

Untitled (7)

Jackson Pollock · c. 1944–45 (printed 1967)

Minneapolis Institute of Art · Engraving and drypoint with plate tone printed…

[Portrait of Cynthia Fuller]

Francis Bruguière · 1944

J. Paul Getty Museum · Gelatin silver print

Egetræer

Vilhelm Hammershøi · Værkdatering: ca. 1901

Statens Museum for Kunst · Blyant, kvadreret

Ficus elastica

Aenne Biermann · 1926

Museum of Modern Art · Gelatin silver print

Funkia

Aenne Biermann · 1926

Museum of Modern Art · Gelatin silver print

Untitled from the portfolio 5 drypoints

Aaron Curry · 2015

Museum of Modern Art · One from a portfolio of five drypoints

Ashes of Phoenix

Adolph Gottlieb · 1948

Museum of Modern Art · Gouache and incising on paper

Five Views of an Elephant Combat

Shaykh Taju · c. 1730

Arthur M. Sackler Museum · Black and red-brown inks over charcoal underdrawing…

No. 1

Bernard Cohen · 1965

Victoria and Albert Museum · Lithograph

Night Lights

Francis Bruguière

Minneapolis Institute of Art · Gelatin silver print

Studies van een engel, twee hoofden en de heilige Michaël

Domenico Beccafumi · 1519 - 1547

Rijksmuseum · pen in bruin

American Grasslands: Prairie #5

Karen E. Kitchel · 1997

Denver Art Museum · painting

Above

Alexander Liberman · 1970

Museum of Modern Art · Painted steel

Untitled

Alexander Liberman · 1961

Museum of Modern Art · Lithograph

Bam Bam

Carl Fredrik Reuterswärd · 1958

Museum of Modern Art · Colored ink on paper

At a House in Harley Street

Charles Demuth · 1918

Museum of Modern Art · Watercolor and pencil on paper

Still Life I (Nature morte 1)

Georges Braque · 1911

Cincinnati Art Museum · etching with drypoint

drawing, Self-Portrait

Morrisseau, Norval · December 1986

Canadian Museum of History · graphite; not applicable