Francisco José de Goya y Lucientes

Boy on a Ram

Art Institute of Chicago · 1786–87

Oil on canvas · oil on canvas

Friar Pedro Shoots El Maragato as His Horse Runs Off

Art Institute of Chicago · c. 1806

Oil on panel · painting

Three Men Carrying a Wounded Soldier, from the Images of Spain, Album F

Art Institute of Chicago · 1812/20

Brush with brown ink and brown and gray wash over traces of…

Portrait of General José Manuel Romero

Art Institute of Chicago · c. 1810

Oil on canvas · painting

The Sleep of Reason Produces Monsters, plate 43 from Los Caprichos

Art Institute of Chicago · 1797/99

Etching and aquatint on ivory laid paper · etching

Winter Scene

Art Institute of Chicago · c. 1786

Oil on canvas · oil on canvas

El Maragato Threatens Friar Pedro de Zaldivia with His Gun

Art Institute of Chicago · c. 1806

Oil on panel · oil on panel

Friar Pedro Binds El Maragato with a Rope

Art Institute of Chicago · c. 1806

Oil on panel · painting

Young Woman (possibly a Sex Worker) with a Man (recto); Young Woman Wringing Her Hands over a Man's Naked Body (verso)

Cleveland Museum of Art · 1796–97

brush and gray and black washes on laid paper

Friar Pedro Offers Shoes to El Maragato and Prepares to Push Aside His Gun

Art Institute of Chicago · c. 1806

Oil on panel · oil on panel

When Day Breaks We Will Be Off, Plate 71

Cleveland Museum of Art · 1799

etching and aquatint

Be Careful with that Step!

Art Institute of Chicago · 1816/1820

Brush with black ink and gray and black wash on ivory laid…

Ferdinand VII (1784–1833), When Prince of Asturias

The Metropolitan Museum of Art · ca. 1800

Oil on canvas · Paintings

Friar Pedro Clubs El Maragato with the Butt of the Gun

Art Institute of Chicago · c. 1806

Oil on panel · painting

Portrait of Don Juan Antonio Cuervo

Cleveland Museum of Art · 1819

oil on canvas

Prostitute Soliciting a Fat, Ugly Man, Folio 49 (recto)

Cleveland Museum of Art · 1796–97

brush and gray and black washes on laid paper

The Hanged Monk

Art Institute of Chicago · c. 1810

Oil on panel · oil on panel

They Spin Finely, Plate 44

Cleveland Museum of Art · 1799

Etching, aquatint, drypoint, and engraving printed in sepia

Young Woman Wringing Her Hands over a Man's Naked Body, Folio 50 (verso)

Cleveland Museum of Art · 1796–97

brush and gray and black washes on laid paper

Supposed portrait of artist's son

Library of Congress · 1900-01-01

photo, print, drawing

Saint Ambrose

Cleveland Museum of Art · c. 1796–99

oil on canvas

They Have Flown, Plate 61

Cleveland Museum of Art · 1799

etching and aquatint

The Proverbs: Two Heads are Better than One or Poor Folly

Cleveland Museum of Art · 1816–1823 (printed c. 1863)

etching, aquatint, drypoint and engraving

The Proverbs: If Marion Will Dance, Then She Has to Take the Consequences

Cleveland Museum of Art · 1864

etching and aquatint