Catholic University of Leuven
1 work surfaced for this movement.
saved.works
movement
Movement
Romanticism
Romanticism is a browsable saved.works movement page spanning 72 works by 4 artists across 7 institutions. Leading artists include Francisco José de Goya y Lucientes, Thomas Cole, Eugène Delacroix. Works are grouped from artist fallbacks plus medium, title, tag, and vision cues when those signals line up with the movement.
Related movements
Baroque
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Rococo
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Neoclassicism
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Realism
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Hudson River School
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Tonalism
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Reading list for this movement
Artists in this movement
Museums in this movement
Art Institute of Chicago
29 works surfaced for this movement.
Minneapolis Institute of Art
29 works surfaced for this movement.
Cleveland Museum of Art
8 works surfaced for this movement.
The Metropolitan Museum of Art
3 works surfaced for this movement.
Fogg Museum
1 work surfaced for this movement.
Statens Museum for Kunst
1 work surfaced for this movement.
Works in this movement
Self-Portrait with Dr. Arrieta
Francisco José de Goya y Lucientes · 1820
Minneapolis Institute of Art · Oil on canvas
Ni mas ni menos
Francisco José de Goya y Lucientes · 1797–98
Minneapolis Institute of Art · Etching and aquatint
Landscape
Thomas Cole · 1825
Minneapolis Institute of Art · Oil on canvas
¡Qual la descañonan!
Francisco José de Goya y Lucientes · 1797–98
Minneapolis Institute of Art · Etching and aquatint
Four Sketches of Arab Men
Eugène Delacroix · 1832
Art Institute of Chicago · Watercolor and graphite, on tan wove paper,…
George Sand's Garden at Nohant
Eugène Delacroix · ca. 1842–43
The Metropolitan Museum of Art · Oil on canvas
Armored Figure on Horseback (recto); Horse in Front of a Barn (verso)
Eugène Delacroix · c. 1828
Cleveland Museum of Art · graphite and brush and brown wash
He deserved it
Francisco José de Goya y Lucientes · 1810–20 (published 1863)
Minneapolis Institute of Art · Etching and aquatint
Y aun no se van!
Francisco José de Goya y Lucientes · 1797–98
Minneapolis Institute of Art · Etching and aquatint
Dante's Bark
Eugène Delacroix · c. 1840–60
Art Institute of Chicago · Oil on canvas
Si amanece; nos Vamos
Francisco José de Goya y Lucientes · 1797–98
Minneapolis Institute of Art · Etching and aquatint
![[Flowers] by Eugène Delacroix](/api/artwork-image/mia-61567/eugene-delacroix-flowers-minneapolis-institute-of-art.webp?q=72&w=2048)
[Flowers]
Eugène Delacroix · 19th century
Minneapolis Institute of Art · Oil on board
Por Que? (Why?)
Francisco José de Goya y Lucientes · 1810–20 (published 1863)
Minneapolis Institute of Art · Etching and aquatint
Que sacrificio!
Francisco José de Goya y Lucientes · 1797–98
Minneapolis Institute of Art · Etching and aquatint
Boy on a Ram
Francisco José de Goya y Lucientes · 1786–87
Art Institute of Chicago · Oil on canvas
Arab Horseman Attacked by a Lion
Eugène Delacroix · 1849–50
Art Institute of Chicago · Oil on panel
Lion Hunt
Eugène Delacroix · 1860–61
Art Institute of Chicago · Oil on canvas
The Good Shepherd
Thomas Cole · 1849
Art Institute of Chicago · Lithograph on white wove plate paper
Winter Scene
Francisco José de Goya y Lucientes · c. 1786
Art Institute of Chicago · Oil on canvas
The Combat of the Giaour and Hassan
Eugène Delacroix · 1826
Art Institute of Chicago · Oil on canvas
Distant View of Niagara Falls
Thomas Cole · 1830
Art Institute of Chicago · Oil on wood panel
That's Tough!
Francisco José de Goya y Lucientes · 1810–20 (published 1863)
Minneapolis Institute of Art · Etching and aquatint
El de la rollona
Francisco José de Goya y Lucientes · 1797–98
Minneapolis Institute of Art · Etching and aquatint
Macbeth Consulting the Witches
Eugène Delacroix · 1825
Cleveland Museum of Art · lithograph
Standing Academic Male Nude (recto); Sketch of Upper Arm (verso)
Eugène Delacroix · 1816
Art Institute of Chicago · Black chalk and charcoal with stumping, heightened…
Portrait of General José Manuel Romero
Francisco José de Goya y Lucientes · c. 1810
Art Institute of Chicago · Oil on canvas
Jane Shore
Eugène Delacroix · 1828
Art Institute of Chicago · Lithograph in black on light-gray China paper…
Rightly or Wrongly
Francisco José de Goya y Lucientes · 1810–20 (published 1863)
Minneapolis Institute of Art · Etching and aquatint
Friar Pedro Binds El Maragato with a Rope
Francisco José de Goya y Lucientes · c. 1806
Art Institute of Chicago · Oil on panel
Ni asi la distingue
Francisco José de Goya y Lucientes · 1797–98
Minneapolis Institute of Art · Etching and aquatint
Count Demetrius de Palatiano in Suliot Costume
Eugène Delacroix · not dated
Cleveland Museum of Art · oil on fabric
Love and Death
Francisco José de Goya y Lucientes · 18th century
Fogg Museum · Etching and Aquatint on off white wove paper
Friar Pedro Clubs El Maragato with the Butt of the Gun
Francisco José de Goya y Lucientes · c. 1806
Art Institute of Chicago · Oil on panel
Dios la perdone: Y era su madre
Francisco José de Goya y Lucientes · 1797–98
Minneapolis Institute of Art · Etching and aquatint
Sheet of Sketches
Eugène Delacroix · 1826
Art Institute of Chicago · Lithograph in black on white wove paper
Ya tienen asiento
Francisco José de Goya y Lucientes · 1797–98
Minneapolis Institute of Art · Etching and aquatint
Be Careful with that Step!
Francisco José de Goya y Lucientes · 1816/1820
Art Institute of Chicago · Brush with black ink and gray and…
Three Men Carrying a Wounded Soldier, from the Images of Spain, Album F
Francisco José de Goya y Lucientes · 1812/20
Art Institute of Chicago · Brush with brown ink and brown and…
The Hanged Monk
Francisco José de Goya y Lucientes · c. 1810
Art Institute of Chicago · Oil on panel
El Maragato Threatens Friar Pedro de Zaldivia with His Gun
Francisco José de Goya y Lucientes · c. 1806
Art Institute of Chicago · Oil on panel
Friar Pedro Offers Shoes to El Maragato and Prepares to Push Aside His Gun
Francisco José de Goya y Lucientes · c. 1806
Art Institute of Chicago · Oil on panel
Friar Pedro Shoots El Maragato as His Horse Runs Off
Francisco José de Goya y Lucientes · c. 1806
Art Institute of Chicago · Oil on panel
The Sleep of Reason Produces Monsters, plate 43 from Los Caprichos
Francisco José de Goya y Lucientes · 1797/99
Art Institute of Chicago · Etching and aquatint on ivory laid paper
Si querbó el Cantaro
Francisco José de Goya y Lucientes · 1797–98
Minneapolis Institute of Art · Etching and aquatint
Ensayos
Francisco José de Goya y Lucientes · 1797–98
Minneapolis Institute of Art · Etching and aquatint
Hercule et Antée
Eugène Delacroix · Værkdatering: (1847)
Statens Museum for Kunst · Litografi
Francisco Goya y Lucientes, Painter, plate one from Los Caprichos
Francisco José de Goya y Lucientes · 1797/99
Art Institute of Chicago · Etching, aquatint, drypoint and burin in black…
Esto si que es leer
Francisco José de Goya y Lucientes · 1797–98
Minneapolis Institute of Art · Etching and aquatint
New England Scenery
Thomas Cole · 1839
Art Institute of Chicago · Oil on canvas
Brother Martin Clasping the Iron Hand of Goetz
Eugène Delacroix · 1836
Art Institute of Chicago · Lithograph in black on ivory China paper…
Two Boats at the Harbor of Dieppe
Eugène Delacroix · 1854
Cleveland Museum of Art · watercolor and pencil on paper laid down…
Study for Marphise and the Mistress of Pinabel
Eugène Delacroix · c. 1852
Art Institute of Chicago · Graphite on tan wove paper, tipped onto…
Otro modo de cazar á pie (Another Way of Hunting on Foot)
Francisco José de Goya y Lucientes · 1816
Minneapolis Institute of Art · Etching, burnished aquatint, drypoint, and burin
El si pronuncian y la mano alargen al primero que llega
Francisco José de Goya y Lucientes · 1797–98
Minneapolis Institute of Art · Etching and aquatint
The Natchez
Eugène Delacroix · 1823–24 and 1835
The Metropolitan Museum of Art · Oil on canvas
Esto es malo (This is bad)
Francisco José de Goya y Lucientes · 1810–20 (published 1863)
Minneapolis Institute of Art · Etching and aquatint
Nohubo remedio
Francisco José de Goya y Lucientes · 1797–98
Minneapolis Institute of Art · Etching and aquatint
Christ Asleep during the Tempest
Eugène Delacroix · ca. 1853
The Metropolitan Museum of Art · Oil on canvas
Al toro y al aire darles calle (Make Way for Bulls and Wind), unpublished plate from Los Proverbios (The Proverbs)
Francisco José de Goya y Lucientes · c. 1824 (published…
Minneapolis Institute of Art · Etching, aquatint, and drypoint in sienna ink
The Sleep of Reason Produces Monsters
Francisco José de Goya y Lucientes · 1797–98
Minneapolis Institute of Art · Etching and aquatint
Greek Cavalry Men Resting in Forest
Eugène Delacroix · 1858
Cleveland Museum of Art · oil on fabric
A Young Black Woman Fetching Water
Eugène Delacroix · 1832
Cleveland Museum of Art · Watercolor and graphite, heightened with gouache on…
Mlle. Alexandrine-Julie de la Boutraye
Eugène Delacroix · c. 1832–34
Cleveland Museum of Art · oil on fabric
Mephistopheles Appearing to Faust
Eugène Delacroix · 1828
Art Institute of Chicago · Lithograph in black on ivory wove paper
Crouching Woman
Eugène Delacroix · 1827
Art Institute of Chicago · Black and red chalk, with pastel, heightened…
Study of a Horse
Eugène Delacroix · c. 1825–30
Cleveland Museum of Art · Pen and brown ink on cream laid…
Francisco de Goya y Lucientes, Painter, plate one from Los Caprichos
Francisco José de Goya y Lucientes · 1797/99
Art Institute of Chicago · Etching and aquatint on cream laid paper
Francisco Goya. Carlos IV
Francisco Goya
Catholic University of Leuven · KU Leuven. Glass slides art history. Université…
Buen viage
Francisco José de Goya y Lucientes · 1797–98
Minneapolis Institute of Art · Etching and aquatint
Franco Goya y Lucientes, Pintor
Francisco José de Goya y Lucientes · 1797–98
Minneapolis Institute of Art · Etching and aquatint
Correccion
Francisco José de Goya y Lucientes · 1797–98
Minneapolis Institute of Art · Etching and aquatint
Ni asi la Distingue (Even so he cannot recognize her), from Los Caprichos
Francisco José de Goya y Lucientes · 1799
Minneapolis Institute of Art · Etching, aquatint, and drypoint