Honoré Victorin Daumier

"-Ouriskoff!..trouvez-vous cela ressemblant?" from Actualities

National Gallery of Art · 1854

lithograph · Print

“- Here, Eudoxie, take my bear skin... since from now on I will not have the pleasure any more to wear it, I give it to you to make a muff out of it... This way I have at least the satisfaction of seeing it from time to time”

Art Institute of Chicago · 1848

Lithograph in black on white wove paper · lithograph

The Print Collector

Art Institute of Chicago · c. 1860

Oil on cradled panel · painting

Nadar Elevating Photography to the Heights of Art, plate 367 from Souvenirs d’artistes

Art Institute of Chicago · 1862

Lithograph in black on white wove paper · lithograph

Rue Transnonain, on April 15, 1834, October 2, 1834, plate 24 from L’Association mensuelle

Art Institute of Chicago · October 2, 1834

Lithograph in black on grayish-ivory China paper laid down on ivory wove…

"- Can you see the comet?... just there, at the tip of my finger ... don't lose sight of my finger tip!," plate 5 from La Comète De 1857

Art Institute of Chicago · 1857

Lithograph in black on ivory wove paper · lithograph

Family Scene

Art Institute of Chicago · c. 1865

Pen and black ink, brush and gray wash, on ivory wove paper…

“- What a fuss this sour-face from the fifth floor is making! Wearing a hat just to buy two cups of milk for one sou! - Oh, Madame Capitaine, aren't we fancy today...,” plate 36 Types Parisiens

Art Institute of Chicago · 1840

Lithograph in black on white wove paper · lithograph

"- My God! Madame Bombec, what happened to you? - Don't mention it, my dear, it's horrible. The world is going from bad to worse, I would rather be janitor at the botanical garden! You know that Bézuchet from the fifth floor, the one that always insists that her good-for-nothing daughter who is fat around the hips has become..... I only replied: Ah, well! - And that's the person who… - Of course, even a blind man can see that!,” plate 30 from Types Parisiens

Art Institute of Chicago · 1840

Lithograph in black on white wove paper · lithograph

Malbroug s'en va-t-en Guerre...

Art Institute of Chicago · 1835

Lithograph in black on white wove paper · lithograph

The Past, the Present, the Future, plate 349

Art Institute of Chicago · 1834

Lithograph in black on off-white wove paper · lithograph

An Activist, from Les Femmes Socialistes

Art Institute of Chicago · 1849

Lithograph on white wove paper · lithograph

The Grape Gatherer, from Les Bons Bourgeois

Art Institute of Chicago · 1847

Lithograph in black on white wove paper · lithograph

Honoré Daumier. Clown

Catholic University of Leuven

Honoré Daumier. Romantic landscape

Catholic University of Leuven

Honoré Daumier. De schaakspelers

Catholic University of Leuven · 1863

Honoré Daumier. Bedelares met twee kinderen :

Catholic University of Leuven

Honoré Daumier. Rue Transnonain, April 15th 1834

Catholic University of Leuven

There Is Mille. Palmyre

Seattle Art Museum · 19th century

Lithograph

I Have Just Dined en Garcon

Seattle Art Museum · 19th century

The Studio

J. Paul Getty Museum · about 1870

Oil on canvas, Oil, Canvas · Painting

A Criminal Case

J. Paul Getty Museum · about 1865

Watercolor and gouache with pen, brown ink and black chalk, Watercolor, Gouache,…

Print, La Mere des Gracques, plate 46 from the Histoire Ancienne

Cooper Hewitt, Smithsonian Design Museum · 1842

hand colored lithograph on paper · Print

Print, Marius a Minturnes, plate 21 from the HIstoire Ancienne

Cooper Hewitt, Smithsonian Design Museum · 1842

hand colored lithograph on paper · Print