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Global Contemporary Art

Global Contemporary Art is a browsable saved.works tag spanning 96 works by 31 artists across 1 institution.

96 works

8 leading artists

1 institution

Clown by Wayne Thiebaud

Clown

Wayne Thiebaud · 1979

Minneapolis Institute of Art · Color softground etching and aquatint on wove…

Diagonal Ridge by Wayne Thiebaud

Diagonal Ridge

Wayne Thiebaud · 1979

Minneapolis Institute of Art · Drypoint, aquatint, and roulette on wove Somerset…

Down 18th by Wayne Thiebaud

Down 18th

Wayne Thiebaud · 1979

Minneapolis Institute of Art · Etching in blue-gray ink on wove CMF…

Downgrade by Wayne Thiebaud

Downgrade

Wayne Thiebaud · 1979

Minneapolis Institute of Art · Etching with aquatint and drypoint

Shoe Rows by Wayne Thiebaud

Shoe Rows

Wayne Thiebaud · 1979

Minneapolis Institute of Art · Color etching, aquatint, and spit-bite aquatint on…

Half Cakes by Wayne Thiebaud

Half Cakes

Wayne Thiebaud · 1971

Minneapolis Institute of Art · Screenprint on wove Arches paper

Gumball Machine by Wayne Thiebaud

Gumball Machine

Wayne Thiebaud · 1970

Minneapolis Institute of Art · Color linocut on wove Arches paper

Proposal for a Broome Street Expressway in the Form of a Cigarette and Smoke, from Reality and Paradoxes portfolio by Claes Oldenburg

Proposal for a Broome Street Expressway in the Form of a Cigarette and Smoke, from Reality and Paradoxes portfolio

Claes Oldenburg · 1973

Minneapolis Institute of Art · Color lithograph, with printed text cover sheet

Three Hats by Claes Oldenburg

Three Hats

Claes Oldenburg · 1974

Minneapolis Institute of Art · Color lithograph on cream paper

M. Mouse (with) 1 Ear (equals) Tea Bag Blackboard Version (1965) by Claes Oldenburg

M. Mouse (with) 1 Ear (equals) Tea Bag Blackboard Version (1965)

Claes Oldenburg · 1973

Minneapolis Institute of Art · Screenprint and lithograph, hand-dusted with ground chalk,…

Study for a Sculpture in the Form of an Inverted Q: Above and Below Ground by Claes Oldenburg

Study for a Sculpture in the Form of an Inverted Q: Above and Below Ground

Claes Oldenburg · 1975

Minneapolis Institute of Art · Color lithograph, soft-ground etching, and aquatint

Study for Sneaker Lace - White by Claes Oldenburg

Study for Sneaker Lace - White

Claes Oldenburg · 1991

Minneapolis Institute of Art · Color lithograph

Sneaker Lace Sculpture by Claes Oldenburg

Sneaker Lace Sculpture

Claes Oldenburg · 1990

Minneapolis Institute of Art · Cast stainless steel hand-painted with latex paint

Sneaker Lace in Landscape - Red by Claes Oldenburg

Sneaker Lace in Landscape - Red

Claes Oldenburg · 1991

Minneapolis Institute of Art · Color lithograph

Sneaker Lace in Landscape - Gray by Claes Oldenburg

Sneaker Lace in Landscape - Gray

Claes Oldenburg · 1991

Minneapolis Institute of Art · Color lithograph

Beuys. Aus Berlin: Neues vom Kojoten (From Berlin: News from the Coyote) by Associated with Joseph Beuys

Beuys. Aus Berlin: Neues vom Kojoten (From Berlin: News from the Coyote)

Associated with Joseph Beuys · 1979

Minneapolis Institute of Art · Color photoscreenprint

Untitled, from 3-Tonnen-Edition (3 Ton Edition) by Joseph Beuys

Untitled, from 3-Tonnen-Edition (3 Ton Edition)

Joseph Beuys · 1973

Minneapolis Institute of Art · Screenprint on both sides of a sheet…

Spirals and Triangles by Alexander Calder

Spirals and Triangles

Alexander Calder · 1973

Minneapolis Institute of Art · Color lithograph

Fêtes (Celebrations) by Alexander Calder

Fêtes (Celebrations)

Alexander Calder · 1971

Minneapolis Institute of Art · Color aquatints, letterpress, bound volume

Wrapped Figures, George Segal's Studio, New Jersey by Arnold Newman

Wrapped Figures, George Segal's Studio, New Jersey

Arnold Newman · 1982

Minneapolis Institute of Art · Gelatin silver print

Francis Bacon, London by Arnold Newman

Francis Bacon, London

Arnold Newman · 1975

Minneapolis Institute of Art · Gelatin silver print

Apocalypse: Colophon by Keith Haring

Apocalypse: Colophon

Keith Haring · 1988

Minneapolis Institute of Art · Color screenprint

The household appliances revolt... by Keith Haring

The household appliances revolt...

Keith Haring · 1988

Minneapolis Institute of Art · Color screenprint on transparent acetate

Normal Desires by Bruce Nauman

Normal Desires

Bruce Nauman · 1973

Minneapolis Institute of Art · Lithograph in brown-black ink

Untitled by Bruce Nauman

Untitled

Bruce Nauman · 1972

Minneapolis Institute of Art · Drypoint

Raw-War by Bruce Nauman

Raw-War

Bruce Nauman · 1971

Minneapolis Institute of Art · Color lithograph

Visionary by Seymour Lipton

Visionary

Seymour Lipton · c. 1980

Minneapolis Institute of Art · Nickel-silver on Montel metal

Portugal by Harry Callahan

Portugal

Harry Callahan · 1982

Minneapolis Institute of Art · Dye transfer print

Atlanta by Harry Callahan

Atlanta

Harry Callahan · 1977

Minneapolis Institute of Art · Dye transfer print

New York by Harry Callahan

New York

Harry Callahan · 1977

Minneapolis Institute of Art · Dye transfer print

Cape Cod by Harry Callahan

Cape Cod

Harry Callahan · 1972

Minneapolis Institute of Art · Gelatin silver print

Tar Findings by Barbara Crane

Tar Findings

Barbara Crane · 1976

Minneapolis Institute of Art · Gelatin silver print

Ice 2 by Gerhard Richter

Ice 2

Gerhard Richter · 2003

Minneapolis Institute of Art · Color screenprint

Landscape I by Gerhard Richter

Landscape I

Gerhard Richter · 1971

Minneapolis Institute of Art · Color heliogravure

Tybee Forks and Starts ( I ) by Jan Groover

Tybee Forks and Starts ( I )

Jan Groover · 1978

Minneapolis Institute of Art · Color coupler print

Tybee Forks and Starts (B) by Jan Groover

Tybee Forks and Starts (B)

Jan Groover · 1978

Minneapolis Institute of Art · Color coupler print

Tybee Forks and Starts (L) by Jan Groover

Tybee Forks and Starts (L)

Jan Groover · 1978

Minneapolis Institute of Art · Color coupler print

Misuratori by Arnaldo Pomodoro

Misuratori

Arnaldo Pomodoro · 1971

Minneapolis Institute of Art · Color aquatint with etching

Untitled (Self-portrait) by Saul Steinberg

Untitled (Self-portrait)

Saul Steinberg · 1985–90

Minneapolis Institute of Art · Graphite on sketchpad sheet

Mexican Airmail by Saul Steinberg

Mexican Airmail

Saul Steinberg · 1971

Minneapolis Institute of Art · Graphite, colored pencil, crayon, oil paint, collage,…

Celia in a Wicker Chair by David Hockney

Celia in a Wicker Chair

David Hockney · 1974

Minneapolis Institute of Art · Color soft-ground etching and aquatint

A Room Full of Straw by David Hockney

A Room Full of Straw

David Hockney · 1969 (published 1970)

Minneapolis Institute of Art · Etching on handmade paper

A Wooded Landscape by David Hockney

A Wooded Landscape

David Hockney · 1969–70

Minneapolis Institute of Art · Etching on handmade paper

Pleading for the Child by David Hockney

Pleading for the Child

David Hockney · 1969 (published 1970)

Minneapolis Institute of Art · Etching on handmade paper

Rapunzel Growing in the Garden by David Hockney

Rapunzel Growing in the Garden

David Hockney · 1969 (published 1970)

Minneapolis Institute of Art · Etching on handmade paper

Rapunzel, Rapunzel, Let Down your Hair by David Hockney

Rapunzel, Rapunzel, Let Down your Hair

David Hockney · 1969 (published 1970)

Minneapolis Institute of Art · Etching on handmade paper

The Sexton Disguised as a Ghost Stood Still as Stone by David Hockney

The Sexton Disguised as a Ghost Stood Still as Stone

David Hockney · 1969 (published 1970)

Minneapolis Institute of Art · Etching on handmade paper

Wanted by Ai Weiwei

Wanted

Ai Weiwei · 2014

Minneapolis Institute of Art · Color lithograph

Marble Chair by Ai Weiwei

Marble Chair

Ai Weiwei · 2008

Minneapolis Institute of Art · Marble

Madame Mama Bush by Mickalene Thomas

Madame Mama Bush

Mickalene Thomas · 2012

Minneapolis Institute of Art · Chromogenic print

Portrait of Qusuquzah by Mickalene Thomas

Portrait of Qusuquzah

Mickalene Thomas · 2008

Minneapolis Institute of Art · Chromogenic print

Poems by Joan Mitchell

Poems

Joan Mitchell · 1992

Minneapolis Institute of Art · Color lithographs, letterpress, portfolio

Raw Prints (Red) by John Baldessari

Raw Prints (Red)

John Baldessari · 1976

Minneapolis Institute of Art · Lithograph with embossing and hand-tipped chromogenic color…

James by Chuck Close

James

Chuck Close · 2004

Minneapolis Institute of Art · Color screenprint on Saunders Waterford HP paper

Raw Prints (Violet) by John Baldessari

Raw Prints (Violet)

John Baldessari · 1976

Minneapolis Institute of Art · Lithograph with embossing and hand-tipped chromogenic color…

I Will Not Make Any More Boring Art by John Baldessari

I Will Not Make Any More Boring Art

John Baldessari · 1971

Minneapolis Institute of Art · Lithograph on ivory paper

Sunflowers II by Joan Mitchell

Sunflowers II

Joan Mitchell · 1992

Minneapolis Institute of Art · Color lithograph on Rives BFK paper, diptych

Plate 7, from Work from Instructions by Sol LeWitt

Plate 7, from Work from Instructions

Sol LeWitt · 1971

Minneapolis Institute of Art · Lithograph

Spectators at a Boxing Match by André Albert Marie Dunoyer de Segonzac

Spectators at a Boxing Match

André Albert Marie Dunoyer de Segonzac · 20th century

Minneapolis Institute of Art · Etching

Cheering Woman by Sculptor: Sokari Douglas Camp

Cheering Woman

Sculptor: Sokari Douglas Camp · 1986

Minneapolis Institute of Art · Welded steel

Fort Lauderdale Yankee Stadium, Fort Lauderdale, Florida by Stephen Shore

Fort Lauderdale Yankee Stadium, Fort Lauderdale, Florida

Stephen Shore · 1978

Minneapolis Institute of Art · Color coupler print

Sparky Lyle's Locker, Fort Lauderdale, Yankee Stadium, Fort Lauderdale, Florida by Stephen Shore

Sparky Lyle's Locker, Fort Lauderdale, Yankee Stadium, Fort Lauderdale, Florida

Stephen Shore · 1978

Minneapolis Institute of Art · Color coupler print

Coronado St., Los Angeles, California by Stephen Shore

Coronado St., Los Angeles, California

Stephen Shore · 1975

Minneapolis Institute of Art · Color coupler print

Landscape at Stanton Street by Willem de Kooning

Landscape at Stanton Street

Willem de Kooning · 1971

Minneapolis Institute of Art · Lithograph

Raw Prints (Blue) by John Baldessari

Raw Prints (Blue)

John Baldessari · 1976

Minneapolis Institute of Art · Lithograph with embossing and hand-tipped chromogenic color…

Incomplete Open Cube 8/3 by Sol LeWitt

Incomplete Open Cube 8/3

Sol LeWitt · 1974

Minneapolis Institute of Art · Baked enamel on aluminum

Bull Head II by Roy Lichtenstein

Bull Head II

Roy Lichtenstein · 1973

Minneapolis Institute of Art · Color lithograph, screenprint, and line-cut on Arjomari…

Peace through Chemistry II by Roy Lichtenstein

Peace through Chemistry II

Roy Lichtenstein · 1970

Minneapolis Institute of Art · Color lithograph and screenprint

Ballyhooly Document Study by Helena Hernmarck

Ballyhooly Document Study

Helena Hernmarck · 2002

Minneapolis Institute of Art · Wool

Four Tulips by Helena Hernmarck

Four Tulips

Helena Hernmarck · 1999

Minneapolis Institute of Art · Wool

History of Money Study by Helena Hernmarck

History of Money Study

Helena Hernmarck · 1997

Minneapolis Institute of Art · Wool

Euclid's Elements by Helena Hernmarck

Euclid's Elements

Helena Hernmarck · 1995

Minneapolis Institute of Art · Wool, linen, cotton

Theta by Helena Hernmarck

Theta

Helena Hernmarck · 1987

Minneapolis Institute of Art · Wool wefts, wool warp, rosepath with weft…

Chair, from Lunning Farm Triptych by Helena Hernmarck

Chair, from Lunning Farm Triptych

Helena Hernmarck · 1974

Minneapolis Institute of Art · Wool, linen, woven fabric

Telephone, from Lunning Farm Triptych by Helena Hernmarck

Telephone, from Lunning Farm Triptych

Helena Hernmarck · 1974

Minneapolis Institute of Art · Wool, linen, cotton, woven fabric

Moot by Helena Hernmarck

Moot

Helena Hernmarck · 1971

Minneapolis Institute of Art · Wool, linen, cotton

Untitled by William Eggleston

Untitled

William Eggleston · 1978

Minneapolis Institute of Art · Color coupler print

Untitled, Greenwood, Mississippi by William Eggleston

Untitled, Greenwood, Mississippi

William Eggleston · 1973

Minneapolis Institute of Art · Dye transfer print

Untitled, Arkansas by William Eggleston

Untitled, Arkansas

William Eggleston · 1972

Minneapolis Institute of Art · Color coupler print

A Taste of the Desert, from Expedition to the Holyland by A. R. Penck (Ralf Winkler)

A Taste of the Desert, from Expedition to the Holyland

A. R. Penck (Ralf Winkler) · 1983

Minneapolis Institute of Art · Engraving

Communication, from Expedition to the Holyland by A. R. Penck (Ralf Winkler)

Communication, from Expedition to the Holyland

A. R. Penck (Ralf Winkler) · 1983

Minneapolis Institute of Art · Aquatint and engraving

Concept, from Expedition to the Holyland by A. R. Penck (Ralf Winkler)

Concept, from Expedition to the Holyland

A. R. Penck (Ralf Winkler) · 1983

Minneapolis Institute of Art · Engraving

Idea for Sculpture No. 1, from Expedition to the Holyland by A. R. Penck (Ralf Winkler)

Idea for Sculpture No. 1, from Expedition to the Holyland

A. R. Penck (Ralf Winkler) · 1983

Minneapolis Institute of Art · Lithograph

Idea for Sculpture No. 2, from Expedition to the Holyland by A. R. Penck (Ralf Winkler)

Idea for Sculpture No. 2, from Expedition to the Holyland

A. R. Penck (Ralf Winkler) · 1983

Minneapolis Institute of Art · Lithograph

Idea for Sculpture No. 3, from Expedition to the Holyland by A. R. Penck (Ralf Winkler)

Idea for Sculpture No. 3, from Expedition to the Holyland

A. R. Penck (Ralf Winkler) · 1983

Minneapolis Institute of Art · Lithograph

Introduction for Expedition to the Holyland by Text by A. R. Penck (Ralf Winkler)

Introduction for Expedition to the Holyland

Text by A. R. Penck (Ralf Winkler) · 1983

Minneapolis Institute of Art · Screenprint

Justification page from Expedition to the Holyland by A. R. Penck (Ralf Winkler)

Justification page from Expedition to the Holyland

A. R. Penck (Ralf Winkler) · 1983

Minneapolis Institute of Art · Letterpress

Middle East Complexities, from Expedition to the Holyland by A. R. Penck (Ralf Winkler)

Middle East Complexities, from Expedition to the Holyland

A. R. Penck (Ralf Winkler) · 1983

Minneapolis Institute of Art · Aquatint and engraving

Printing plate for Thoughts in a Kibbutz from Expedition to the Holyland by A. R. Penck (Ralf Winkler)

Printing plate for Thoughts in a Kibbutz from Expedition to the Holyland

A. R. Penck (Ralf Winkler) · 1983

Minneapolis Institute of Art · Copper

Snow in Jerusalem, from Expedition to the Holyland by A. R. Penck (Ralf Winkler)

Snow in Jerusalem, from Expedition to the Holyland

A. R. Penck (Ralf Winkler) · 1983

Minneapolis Institute of Art · Aquatint

Stones and Shadows, from Expedition to the Holyland by A. R. Penck (Ralf Winkler)

Stones and Shadows, from Expedition to the Holyland

A. R. Penck (Ralf Winkler) · 1983

Minneapolis Institute of Art · Color lithograph

The Opposition Wants to Overthrow the Government, from Expedition to the Holyland by A. R. Penck (Ralf Winkler)

The Opposition Wants to Overthrow the Government, from Expedition to the Holyland

A. R. Penck (Ralf Winkler) · 1983

Minneapolis Institute of Art · Color screenprint

The Strong Point, from Expedition to the Holyland by A. R. Penck (Ralf Winkler)

The Strong Point, from Expedition to the Holyland

A. R. Penck (Ralf Winkler) · 1983

Minneapolis Institute of Art · Color screenprint

The Weak Point, from Expedition to the Holyland by A. R. Penck (Ralf Winkler)

The Weak Point, from Expedition to the Holyland

A. R. Penck (Ralf Winkler) · 1983

Minneapolis Institute of Art · Color screenprint

Thoughts in a Kibbutz, from Expedition to the Holyland by A. R. Penck (Ralf Winkler)

Thoughts in a Kibbutz, from Expedition to the Holyland

A. R. Penck (Ralf Winkler) · 1983

Minneapolis Institute of Art · Engraving

View of the Rocks, from Expedition to the Holyland by A. R. Penck (Ralf Winkler)

View of the Rocks, from Expedition to the Holyland

A. R. Penck (Ralf Winkler) · 1983

Minneapolis Institute of Art · Color lithograph